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Showing posts with label Machiavelli. Show all posts
Showing posts with label Machiavelli. Show all posts

Thursday, May 16, 2013

Machiavelli Reason of State

Reason of State
          The doctrine of "reason of state" is a slippery concept to define, having been used by many writers with different shades of meaning. In general, it refers to the idea that the well-being and stability of the state is paramount, and all of the government's actions should be directed to this end. This includes actions which would be considered illegal or immoral under ordinary circumstances. Machiavelli did not invent this doctrine, which can be found in the writings of many Classical authors, most notably, Tacitus. Machiavelli probably derived it from his study of Livy, Xenophon, and Aristotle. In fact, Machiavelli does not use the phrase "reason of state," which was first popularized by fellow Italian Giovanni Botero in his 1589 book, Ragione de Stato. Nonetheless, Botero's book draws heavily on Machiavelli's ideas, and Machiavelli is usually credited as the first modern writer to systematically describe the principles of reason of state. 
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Machiavelli the Devil


Machiavelli the Devil

          Few writers have inspired the kind of personal hatred that Machiavelli has throughout the centuries, and few works have been as vilified—or as popular—as The Prince. Machiavelli has been condemned as a defender of tyranny, a godless promoter of immorality, and a self-serving manipulator. Today, almost 500 years after The Prince was written, the dictionary still defines "Machiavellian" as "of, like, or characterized by the political principles and methods of expediency, craftiness, and duplicity set forth in Machiavelli's book, The Prince; crafty, deceitful, and so on." One popular, though untrue, story holds that "Old Nick," a slang term for the Devil, is derived from Machiavelli's first name, Niccolò.



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The prince Character Analysis Savonarola

The prince Character Analysis Savonarola
          The republic that succeeded the Medici in 1492 was a peculiar political institution, having apocalyptic religious fervor as its driving force. Its leader was Girolamo Savonarola (1452-1498), a friar of the Dominican order who had come to Florence as a preacher in 1481. His personality was so charismatic and his sermons so vivid and emotionally stirring that he soon had his audiences spellbound. He drew a varied group of disciples, including artists and members of noble families. Savonarola was a reformer who railed against the luxurious extravagances of the Florentines and the sins of Italy in general. He also claimed to be a prophet, having predicted the deaths of several rulers and a coming time of retribution when Italy would be conquered. When Charles VIII invaded, Savonarola declared it the punishment of God for the sins of the Italian people.
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Prince Character List

Prince Character List
          Because The Prince is a political commentary, not a work of fiction, Machiavelli does not use "characters" in the sense of a novel or short story. Instead, he draws his examples from the current political and social events, as well as from ancient history. His "characters" are the political leaders of his time. He mentions far too many individuals to be listed here, but several make repeated appearances in The Prince, and it is helpful to keep them and their relationships in mind.
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The Prince The Background of Italy

The Prince The Background of Italy:-

Introduction:-
          The Prince is set against the backdrop of the Italian Renaissance, a period of intense activity in art, science, and literature. Rich, sophisticated, and cultured, Italy was the center of intellectual achievement in the Western world, and scholars and artists from all over Europe flocked to it to absorb its heady atmosphere. Even today, the achievements of Italian artists and thinkers are prized for their beauty and originality. Michelangelo and Leonardo da Vinci were Machiavelli's contemporaries, and Florence itself, with its famous cathedral, was one of the capitals of Renaissance art.
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The prince As the Bible of the polities:-


The prince  As the Bible of the polities:-
Q:1 consider ‘The Prince as ingenious and fascination study of the art of practical politics. “The Prince is the book that has become the Bible of real-polities and still retains its power to alarm and to instruct.
Introduction:-
          Niccolo Machiavelli was an Italian statesman and a political philosopher.  Niccolo Machiavelli has written a number of the book of real-politic histories, literary essays, comedies, treatises on military, science and essays on different subjects. He was a Florentine statesman and political theorist. His main works include. “The Prince”, “The Discourses upon Livy”, “The Art of War” and “The Florentine History”. The Prince is a treatise on statecraft by an acute observer or the contemporary political scene with an idealistic vision of an Italian saviour. The prince as the bible for princes.
“to know well the nature   Of the people one must   Be  a prince, and to know Well the nature of princes   One must be of the people .

Niccolo Machiavelli Theme/Machiavelli as a political thinker:

Niccolo Machiavelli  Theme/Machiavelli as a political thinker:-

v Introduction & the great powers of Europe:-
          In the second half of the fifteenth century, the great powers of Europe were Spain, France and Holy Roman Empire. Italy was divided into many small states. The most important were Milan, Venice, Florence, the Papacy and the Kingdom of Naples. These five Italian powers had two main interests; no foreign power should intervence Italian affairs and none of them should increase its power of territory at the expense of the others. There was balance of power due to the patient and skill diplomacy of Lorenzo De Medici, the rule of Florence. He was a great success as an international statesman and raised Florence to the highest point of influence and power. 

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Niccolò Machiavelli Major Works


Niccolò Machiavelli  Major Works

Decennali, a long poem in two parts on the contemporary history of Florence. First Decennale, 1504; Second Decennale, 1509 or 1514


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