Literary Criticism “Tension in poetry” ()
Allen
Tate (1899-1979)
Introduction :-The rise of New Criticism:-
The new criticism which was a school
of criticism flourished during the first half of the twentieth century in
America and England. It put the theory of inspiration off the gear. It assumes
a close and causative relationship between society and literature and between
society and the writer. It is the stress on textual criticism which has made it
new. Otherwise there is nothing new in it. It had its origin in the writings of
T. E. Hulme; but it is now mainly an American movement. The term was first used
by J. E. Spingam. Its chief exponents in America are Kenneth Burke, John Crowe
Ransom, Allen Tate, Richard Blackmur, Cleanth Brooks, etc. In England its leading
representatives are I. A. Richards, T. S. Eliot, F. R. Leavis, William Empson,
etc.
It was the reaction against the
external school of criticism which focuses on sociological, historical and
biographical aspects of a text. It is an internal school of criticism.
Different New critics of poetry answered differently in response to the
question… “What is poetic in poetry?” To the new critics poetic
poetry is “its ability to attract attention
towards itself.”
About this ability, R. S. Crane aptly remarks,
“From I. A. Richard’s concept of ‘behavior of words’.. or Allen
Tate’s theory of tension’, w fin the same search for the meaning of words. “
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